Author Archives: Sevak

Sanatan Goswami and Madanmohan Deity

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On the order of Lord Chaitanya, Sanatana goswami travelled from Puri to Vrindavan. Traveling once again through the dense Jharikhanda forest (this time with the notes kept by Balabhadra Bhattacharya, who documented the exact path taken by Shri Chaitanya), and then through Benares and Prayag, Sanatana came to Vrindavan.

When he arrived, there were still no temples. What was once the city of Krishna’s youth was then lying vacant like an open field. The very first temple in Vrindavan—Madan Mohan temple—would be established by Sanatana Goswami. His efforts set a precedent and other temples were gradually constructed. Likewise, later the Govinda Deity was established by Rupa Goswami, the Madan-Mohan Deity is said to have originated with Vajranabha, Krishna’s great grandson. To protect these Deities during the violent Muslim invasions, they were buried and, by the time of the Goswamis, were lost or forgotten. The reclamation of these Deities was part of the mandate given to the Goswamis by Shri Chaitanya.

The story behind the discovery of Madan-Mohan is particularly fascinating. It seems that Sanatanaa had a dream in which a beautiful Deity of Krishna was being worshiped by a humble priest from the city of Mathura. Sanatanaa thought that if he could worship that particular Deity in a grand way, it would attract many people to Krishna consciousness. But in the dream, at least, the Deity belonged to this humble brahmana, and Sanatana could not convince him to give up his Deity of Krishna. Without resolving this dilemma, the dream ended.

The next day, however, Sanatan went out to beg alms, as was his custom, and he came to the home of a poor brahmana named Purushottam Chaube. Upon entering his home, Sanatan saw that the events of his previous night’s dream were in fact a reality. Sanatan gazed upon the beautiful form of Madan-Mohan, the same Deity who appeared in his dream. He knew that this Deity was meant to be worshiped in a grand way, for everyone to see.

Nonetheless, just as in Sanatan’s dream, the priest at first refused to relinquish his Deity. But later that night, Madan-Mohan Himself came to the priest in a dream and insisted that he reconsider. Complying with the wishes of Madan-Mohan, the priest entrusted his Deity to Sanatan Goswami. The next day, Sanatan carried the Deity to the opposite side of Vrindavan and established the worship of Madan-Mohan in a little hut. The magnificent temple that was soon to be constructed for the Deity was erected where that little hut once stood.

The construction of the temple can be traced to a wealthy salt merchant named Krishnadas Kapoor who one day was delivering his goods by boat to a market in Agra. When the boat became grounded on a sandbar just opposite Sanatana’s hut, Kapoor began to pray for the help of God. Seeing Kapoor’s despair, Sanatana invited him to worship Madan-Mohan, and while he was praying before the Deity, the boat floated clear. Kapoor was then able to complete his business and, profiting large sums of money as a result, the wealthy merchant felt indebted to Madan-Mohan. Thus he agreed to finance the building of Madan-Mohan’s temple. The imposing edifice that exists today was completed sometime in the 1580s.

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After the worship of Madan-Mohan was firmly established, various Deities and their worship were introduced all over the holy land. Govindadev, Radha-Raman, Gopinath, Jugal-Kishor, Banke-Bihari, Radha-Ballabha, Radha-Shyamasundar, Radha-Gokulananda, Radha-Damodar, and the Krishna-Balaram Deities (established in the 1970s by the International Society for Krishna Consciousness, or ISKCON) are the prominent Deities of Vrindavan. But Sanatan Goswami’s Madan-Mohan is, in many ways, the most important.

His Divine Grace A. C. Bhaktivedanta Swami Prabhupada confirms the importance of Madan-Mohan:

Shrila Sanatan Goswami is the ideal spiritual master, for he delivers one the shelter of the lotus feet of Madan-Mohan. Even though one may be unable to travel on the field of Vrindavan due to forgetfulness of his relationship with the Supreme Personality of Godhead, he can get adequate opportunity to stay in Vrindavan and derive all spiritual benefits by the mercy of Sanatan Goswami. This is also the special mercy of Madan-Mohan. In Chaitanya-charitamrita, Krishnadas first offers his obeisances to Madan-Mohan vigraha [Sanatan Goswami’s Deity], the Deity who can help us progress in Krishna consciousness.

Along with Madan-Mohan, Rupa Goswami’s Govindadev Deity and Madhu Pandit’s Gopinath Deity are the life and soul of Chaitanyite Vaishnavas. Madan-Mohan represents sambandha-tattva; Govindadev represents abhideya-tattva; and Gopinath represents prayojana-tattva. As Shrila Prabhupada says:

These three Deities have very specific qualities. Worship of Madan-Mohan is on the platform of reestablishing our forgotten relationship with the Supreme Personality of Godhead. In the beginning of our spiritual life we must worship Madan-Mohan so that He may attract us and nullify our attachment for material sense gratification. This relationship with Madan-Mohan is necessary for neophyte devotees. Then, when one wishes to render service to the Lord with strong attachment, one worships Govinda on the platform of transcendental service. When by the grace of Krishna and the other devotees one reaches perfection in devotional service, he can appreciate Krishna as Gopijanaballabha [Gopinath], the pleasure Deity of the damsels of Vraja.

As the person who established the worship of Madan-Mohan, Sanatan Goswami occupies a special position in the Chaitanyite disciplic succession. He is the representative teacher of sambandha-gyan, or knowledge of our proper devotional relationship with Krishna.

In the year 1670, the fanatic Moghul Emperor Aurangzeb ordered the destruction of all sacred images and temples. At that time, to protect the Lord of their lives, a band of simple villagers moved the Deity of Madan-Mohan from Vrindavan to Jaipur. Soon after the Moghul emperor’s reign, however, when the Deity was again safe, He was moved to Karoli. The King of Karoli, constructed an opulent temple for Madan-Mohan, who remained there ever since.

Madan Mohan Temple

Madan Mohan means one who can even enchant cupid. In the temple there are three altars. Madan Mohan with Srimati Radharani and Lalita Devi are present in the center altar. On the left altar Gopalji Krishna with Radharani and Lalita. The king of Karauli worshiped the second set of deities 100 years before even Madan Mohan came to Karauli. The deities receive a midday offering consisting of 56 dishes.

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The deity of Madan mohan ji was worshiped by Sanatan Goswami in Vrindavan at the Madan Mohan temple.

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This deity gave blessings to Krishnadas Kaviraj Das Goswami to write his classic work, the Sri Caitanya Caritamrita.

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In 1670 Maharaj Jai Singh brought Madan Mohan to Jaipur from Vrindavan. His brother in law, Maharaj Gopal Singh had dream in which Madan Mohan expressed his desire to return to the area of Vraja. Karauli is considered to be a part of great Vrajamandala. He then told Maharaja Jai Singh about it and asked permission to bring Madan Mohan to Karauli. Maharaja Jai Singh was also attached to serving the deity. So he kept one condition that Maharaja Gopal Singh will be blind folded and all the three deities i.e. Govinda, Gopinath and Madan Mohan will be placed and if he could distinguish Madan Mohan then he can take Him to Karauli. Maharaj Gopal Singh prayed to Madanmohan to reveal Himself during the test. So Madan Mohan again appeared to him in dream and told that when he will touch the deity I will lower My right hand than other two deities that’s how you can recognize me. That’s how Maharaja Gopal Singh could take the deity of Madan Mohan to Karauli to worship. Because of this pastime even today the right hand of Madan Mohan is lower and not in line with left hand, so pujari has to put two flutes in the hand of Madanmohan than one flute.

Near by Places Galta Temple

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Galta is on the east outskirts of Jaipur. Up over the hill and down other side to the east you will find a very simple temple to Galtaji, the main temple of Galta. The sage Galav had kicked his foot into the side of the hill after calling the Ganga to appear there when the people complained that previous water had become salty. Further down the hill there is a temple dedicated to Surya, the sun-god, and natural springs said to possess curative properties. There are about 30 shalagram-shilas here. You can get a good view of the city in the valley below from the temple. There are 3 main kundas in this shrine of which, the Galta kund is considered the most sacred. Fed by a spring originating from a rock curve named Gaumukh, the Galta kund never runs out of water. You can take a taxi (15km) to here; it is a 2km walk from Surajpol gate.

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Kanak Vrindavan
Kanak Vrindavan is situated in the bottom of Nahargarh hills adjoining the Amber Fort, on Jaipur-Amber Road. According to past records, the beautiful green valley was labeled as Kanak Vrindavan Valley by Maharaja Sawai Jai Singh, almost 280 years ago. The valley seemed like Vrindavan (Land of Lord Krishna) to the King, consequently he installed deity of Shri Govind Dev in the complex. The temples are closed from 1 to 4 pm. This place is on the way to the Amber fort on Amber Road, about 5km from downtown. To get here, you pass a large building in the middle of the lake and about 1km later you will see a sign for “Kanak Vrindavan and Govindaji ” on your right. There are two temples here. In the Radha Madhava temple, to your right as you drive in, are Jayadeva Goswami’s original Deities. They were brought to Jaipur in 1560, almost 450 years ago. There is a 1.3 m (4 ft) tall, black marble Krishna and brass Radharani, as well as a small set of Radha Krishna Deities here.

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In the 18th centuried Natwarji Temple are the Deities of Amarkuar, Jaya Singh’s sister. There is beautiful silver work (known as meena work, done with mirrors and colored glass based in silver or white metal) around the altar. Kanak Vrindavan Valley is an exotic place in the desert lands of Jaipur, Rajasthan.    

Story of Govinda Bhashya
In Jaipur, about 6 generations previous to the time when Govindajidev appeared, there was devotee named Payahari. Payahari was a grand disciple of Ramananda. Ramananda was a great acarya from the Ramanuja sampradaya who established the teachings of Ramanujacarya in northern part of India. And even today in northern India, there are millions of followers of Ramananda, they are called as Ramanandis. Generally, their ista dev, their worshippable deities are Sita and Rama. So he was living in a cave, in a place not far from Jaipur, in a valley called Galta and he was performing his devotional service there. The wife of the king became his disciple and of course she influenced her husband and soon the Ramanandi sampradaya of vaisnavism became the prominent spiritual path in that entire kingdom and this went on for about 6 generations.

The Ramanandi pandits, scholars and priests were in the highest position of giving spiritual direction and guidance to the king and all the people. At the time of Raj Jai Singh, whom Jaipur was named after, Govindaji, the king personally brought Govindaji to Jaipur. And along with Govindaji, pujaris and devotees who were Gaudiya vaisnavas in the line of Sri Rupa Goswami. And the king was so attracted to their worship; he considered it’s the ultimate perfection of his spiritual life that he brought Govindaji to Jaipur.

The Ramanandi scholars and pandits, they were becoming very much insecure because they were losing their superior position because the king was becoming a Gaudiya vaisnava and worshiping Govindaji. So they began to criticize Gaudiya vaisnavism and they actually went right to the king to lodge their complaints. They said that this Radha Govindaji, Radharani was sent by the son of maharaj Prataparudra, Purushottam Jana, he personally sent him to Jaipur to install beside Govindaji. So the Ramanandis were claiming 2 defects with Gaudiya sampradaya, therefore they must be rejected. One is that according to Padma Purana, there are 4 bonafide vaisnava sampradayas and there is no mention of this Gaudiya sampradaya, so they are bogus. And two is, you cannot worship Radharani with Krsna because they are not married. Lakshmi Narayan are legally married, Sita Rama are legally married, Radha and Krsna are not legally married, so it’s immoral to worship Radha and Krsna together on the altar. So Radharani must be removed and they put so much pressure with so many philosophical arguments, the king Jai Singh couldn’t ignore the brahmans. At that time there were 4 principle Gaudiya vaisnava temples in Jaipur, there was Radha Govindaji, Radha Vinoda, Radha Damodar and Radha Gopinath, all original dieties of Goswamis of Vrindavan who had taken shelter there. So he was consulting with these other Gaudiya vaisnava acaryas and there were some that are learned and they had their arguments and they had their reasoning but they couldn’t stand up before these pandits of Ramananda sampradaya.

So ultimately, Jai Singh was forced by these pandits to take Radharani away from Govindaji and have Her worshipped in a separate place. This broke the hearts of Gaudiya vaisnavas. Intolerable, but at the same time they were not able to defend themselves, so the devotees of Jaipur approached Viswanath Chakravarti Thakur and told them of their anguish and how the very authority of our entire sampradaya is being attacked. So Viswanath Chakravarti Thakur, he was eager to go there right himself and establish the pure authority of Caitanya Mahaprabhu’s siddhanta. But he was very old at that time. So he called upon his young siksha disciple, Baladev Vidyabhushan, he said “you must refute the controversial attacks of the Ramanandis and establish the purity of Radha and Krsna worship and the authority of the Gaudiya sampradaya.”

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Viswanath Chakravarthy Thakur and Baladev Vidyabhushan and as well as one other devotee, disciple of Viswanath, they sat for many days and discussed the strategy of how to defend the honor of Lord Caitanya and then he sent Baladev to Jaipur. When he came he was young and no one really paid any attention to him. It was very difficult for him to get audience with the king, but somehow or other he did. He came and told the king that it is my desire to prove to you the authority of our Gaudiya sampradaya. But the Ramanandi priests were right there. They said “King, we want to discuss with him directly”. King said “alright, you discuss with him directly”. Meanwhile the king, he was so interested in this controversy that he went deeply in studying the books of Rupa Goswami, Sanatana Goswami, Raghunath Das Goswami, Jiva Goswami and he was convinced, but he didn’t have the power to defend against these great scholars. He was hoping and praying for Baladev’s success. So they said “first of all we are brahmans, we are from Ramanuja sampradaya, therefore we are authorized to discuss scripture, but as far as we are concerned, its below our integrity to have a discussion with you because you are not even in a bonafide sampradaya.” But Baladev Vidyabhushan explained to them that he received diksha, he received initiation in Madhva sampradaya before he came to Gaudiya sampradaya. He told him his guru maharaj, Tirtha Maharaj in Mysore, so they had to accept that he was authorized, but they said, “But the sampradaya that you represent is not authorized. There are only 4 sampradayas, the Rudra sampradaya, Sri sampradaya, Brahma sampradaya and Kumara sampradaya and they are described in Padma Purana and any knowledge that is not coming from this 4 sampradayas cannot bring about the fruit of the highest truth and realization”.

Baladev Vidyabhushan had a book by the son of Sivananda Sen called ‘Gaur Ganoddesa Dipika’, it was written over a hundred years before this discussion and he opened that book and showed. Kavi Karnapur describes the whole disciplic succession from Brahma to Narada to Veda Vyas to Madhvacarya and everyone of the disciples of Madhvacarya down to Madhavendra Puri, Isvara Puri and Sri Caitanya Mahaprabhu. Hundred year old scripture describing the lineage of the disciplic succession of gurus connected to Madhvacarya and upto Krsna. They could not argue with that. It was established that Gaudiya vaisnavism was one of the 4 vaisnava sampradayas.

But then they had another argument. They said “yes, you may be doing this, you may be speaking like this, but unless your branch of this sampradaya has a commentary on Vedanta sutra, then it cannot be authorized”. Now Sri Caitanya Mahaprabhu, he understood that Vedanta sutra is the summary study of all the Vedas. And according to the Vedic scriptures, Veda Vyas, the compiler of the Vedas himself wrote his own commentary entitled Srimad Bhagavatam. So Gaudiya vaisnavas, they considered there is no need to write a commentary on Vedanta sutra when Veda Vyas already did Srimad Bhagavatam, so they would make all their commentaries on Srimad Bhagavatam. But these Ramanandi pandits, they would not accept this. And also Sri Caitanya Mahaprabhu taught the glories of Srimati Radharani as the ultimate reservoir of all love and mercy which Madhvacarya in his vedanta sutra commentary: Purna Pragya Bhasya did not delineate and that was essential in this debate. So they said “we want to see your commentary on the Vedanta sutra which proves the principles that we are challenging”. So Baladev Vidyabhushan said “I’ll bring it”. But there wasn’t one. That was the problem. He said “I’ll bring it”.

So they said “You bring it, now, immediately. Call for it”. He said “Well, I need a few days”. “Why you need a few days?” “because I have to write it”. They were shocked, they were astounded. “Write it ?” “You’re going to write a commentary on Vedanta sutra to establish the authority of your whole sampradaya in a few days?” He said “Yes. Just give me a few days”. And there was silence; they were discussing amongst themselves whether they should give this few days. Then the king Jai Sing, he said “He is given a few days to compile his Vedanta sutra commentary”. So he went back to the Govindaji temple, Rupa Goswami’s beloved Lord and he fell on his knees with folded hands and tears in his eyes, praying to Govindaji, “Please, I’m useless. I’m helpless. Make me Your puppet in Your hands. My beloved guru maharaj, Srila Viswanath Chakravarti Thakur sent me here to Jaipur in Your service to protect Lord Caitanya Mahaprabhu’s line of devotion. I have no power to do this. But my Lord, it is the order of my spiritual master, please help me. Speak to me what You want the world to hear.” Day and night he sat as Govindaji dictated from within his heart a beautiful commentary of the Vedanta. After completion he went back to Galta where there was to be a debate on the basis of his writings.

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In that famous historical place of Galta, the Gaudiya vaisnava scholars were on one side, the Ramanandi scholars were on the other side and the king was in the middle as the referee. They were both very much prepared to establish their conclusions. “So where is your commentary of Vedanta sutra?” Baladev Vidyabhushan handed them hand written scrolls. He said “Who has written this?” Baladev Vidyabhushan said “Actually, Govindaji spoke it. Therefore I have entitled it Govinda Bhasya. He used my hands to write it.” They carefully scrutinizingly studied that commentary of Vedanta sutra and were amazed at the depth of the philosophy, the authority of the scriptures it was backed on, the realization, the love, the emotion in which it was written, it was unsurpassable. But still they somehow or other tried to defeat the various points, but Baladev Vidyabhushan just kept showing them different particular verses in the commentary that completely answered and refuted all of their arguments. After some time the Ramanandis were utterly silent and Jai Singh, the king said “Victory to Gaudiya vaisnavism ! They have authorized themselves as truly worthy”. And then he ordered Srimati Radharani to be brought back to the side of Sri Govindaji.

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Radha Vinoda Temple

This is a small temple up some stairs on Tripoliya Bazaar Road. Vinodailal was installed by Lokanath Goswami. He was the first devotee sent to Vrindavan by Sri Chaitanya Mahaprabhu.

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He has one famous disciple, Narottama dasa Thakur, who was a great poet and who composed many beautiful Vaishnava songs in praise of the Lord. Vinodailal is a beautiful Deity about 30cm (12 inches) tall. When Sri Caitanya took sannyasa, Lokanatha came to Vrindavana. While visiting the places of Krishna’s pastimes, while in the village of Umaraa in the forest called Chatavana, Lokanatha Gosvami discovered the Deity of Radha-Vinoda. Lokanatha’s samadhi is just north of the village of Umaraa, on the bank of Kishori Kunda. The Deity of Radha-Vinoda was revealed to him from this tank. Lokanatha Gosvami used to carry this Deity in a bag hanging from his neck. The admirers of Lokanatha Gosvami built a temple for Radha-Vinoda, at the place where the Deity of Radha-Vinoda was being worshiped. Originally there was no Deity of Radharani in this temple. Jahnava Devi had a Deity of Radha made in Jagannatha Puri and installed the Deity next to Radha-Vinoda. The temple where Radha-Vinoda was installed eventually fell apart. The Deity of Radha-Vinoda is now in this temple of Gokulananda.

Arati times

Arati times are 5.30, 7, 11 am and 6, 8.30 pm. At night the Deity darshan is from 4.30 to 8.30 pm.

Reaching there

It is a very difficult temple to find, as few people come here. From the Radha Damodar Temple you walk to Tripoliya Bazaar Road and make a left. Walk 50 big steps and you will find a flight of stairs to your left. To the right of the stairs is a hose shop, which is shop number 295. If you look at the building, it will not look like a temple. The temple is situated one flight up.