Monthly Archives: March 2012

Dindi Procession: 200,000 Pilgrims

The most outstanding display of the Maharashtrians’ devotion to Lord Vitthala is the Dindi Yatra, a pilgrimage on foot that culminates in Pandharpur. It has been performed annually for the last seven hundred years.

DindiIn fact, every month at Pandharpur on Sukla Ekadasi (the eleventh day of the waxing moon), a festival is held that attracts a large number of pilgrims. But, four of these festivals are especially large. And the main one, Dindi Yatra the huge Asadhi Ekadasi festival draws a crowd of 700,000 people.  As many as 200,000 come on foot. The festival falls during the month of Asadha (July) and marks the beginning of Caturmasya, the four months of the rainy season. According to the Padma Purana, on that day the Lord goes to sleep for four months. When He wakes up, at the end of the month of Karttika, another festival is held, the second biggest.

For each of these festivals, pilgrims come from all the districts of Maharashtra and from other provinces of India like Gujarat, Karnataka, and Andhra Pradesh. The pilgrims follow in the footsteps of their many saints and spiritual leaders. Many of the pilgrims are varkaris.

The word varkari combines the words vari and kari, the former standing for the regular trip to Pandharpur, the latter meaning the one who does it. Varkari thus means “one who journeys to Pandharpur at a specific time in the year.” Varkaris vow to visit Pandharpur every month, or at least once a year, during an Ekadasi festival.

The varkaris form well-organized and disciplined processions called Dindis, which start off from the birthsites and samadhi places of various saints and converge in Pandharpur. The pilgrims travel 150 to 300 kilometers, depending on where they start. The biggest of all Dindis is that of Jnanesvara, which forms a gigantic procession. It originates in Alandi, near Pune, and covers about 250 kilometers in an eighteen-day walk. Some of the smaller groups are on the road for about a month. Many more come by bus and train.

The men on the procession, dressed alike in white dhotis, kurtas, and typical Gandhi hats, walk in lines of six or seven abreast. They beat small brass cymbals, called tal, in such a perfect rhythm that even when several hundred play, it sounds like one person alone. In the front, several men carry saffron flags. Next, a group of men on each Dindi carry a decorated palanquin (palaki) bearing symbolic footprints (padukas) of the saint they follow. The leader of the group walks at the back, playing the vina, accompanied by one or more drum players.

Behind the men follow the women, dressed in bright colorful saris. Some carry tulasi plants in decorated pots on their heads. Others carry pots with water to serve their fellow varkaris.

Fifty to five hundred people walk in each Dindi group. Responding heartily to their kirtana leaders, they sing the mantras jaya jaya vithobha rukhumai! jaya jaya vithobha rukumai! and jaya jaya rama krsna hari, interspersed with lively songs glorifying Lord Vitthala.

Day after day, undaunted by heat or rain, the pilgrims fill the air with tumultous chanting. Sometimes they dance and sometimes run, rushing ecstatically towards Pandharpur and their Lord. In the midst of this procession the words spoken by the Lord in the Padma Purana come alive:

tatra tisthami narada
yatra gayanti mad-bhaktah

“O Narada, I stay where My devotees glorify Me.”

Each Dindi is supported by vehicles trucks and bullock carts carrying crews ahead to cook and set up tents. When the pilgrims stop to rest and have their meals, each group finds its supporting crew just as calves recognize their mothers in the midst of a herd.

No one goes hungry on Dindi. The bigger groups cook in gigantic pots and distribute prasadam to anyone who sits in the line. The government supplies water for drinking and bathing.

DindiThe walkers reach their day’s destination by late afternoon. The convergence of pilgrims, and the symbolic presence of their saints, awakens the sleepy villages with intense religious fervor. In the evening, groups everywhere perform kirtana, and crowds of thousands listen to various speakers, who spice their discourses with songs of the saints, to the tune of musical instruments. These speakers are like one-act players. They entertain and involve their audience, inspiring them to sing along.

On Dindi everything is done collectively. Crowds are cooking, crowds sitting in lines for prasadam, crowds sleeping side by side, crowds moving around, crowds queuing up for darsana in the temples along the way, crowds meeting the calls of nature in the fields.… You’re never alone on Dindi.

The dense crowd stretches many kilometers, people walking ahead or struggling in the back to keep up. Many people independently follow the Dindi, carrying their few belongings upon their heads. Some begin walking as soon as they get up, as early as 2 A.M. The main group starts at 6:30.

Walking about fifteen kilometers a day, the Dindis finally reach the outskirts of Pandharpur and unite at Wakhari, a small village three kilometers away. On the eve of the Asadha Ekadasi, still more people join for the last leg of the pilgrimage. The three-kilometer stretch from Wakhari to the holy town of Pandharpur turns into a river of humanity flowing towards the ocean of mercy at the Lord’s lotus feet. In his writings, Bilvamangala Thakura warns travellers passing through Pandharpur, “Do not walk on the bank of the river Bhima. A bluish-black person stands there, and even though His hands rest peacefully on His hips, He is expert at stealing the heart of anyone who sees Him.”

It seems that the varkaris carefully ignore Bilvamangala Thakura’s advice. In fact, they are especially eager to meet that person.

Upon reaching Pandharpur, the pilgrims take a dip in the Candrabhaga River. Then, carrying the palanquins on their shoulders, they perform nagara-pradaksina, walking a circle around the holy town. The circle complete, they queue up all night at the temple to catch a glimpse of Lord Vitthala on the Ekadasi day. In the heavy rush, each will get to see the Lord for perhaps a few seconds. For them it will be enough: their souls will be satisfied, and it will be worth the trouble.

Dindi

Introduction to Jagannath Puri

Introduction to Jagannath Puri

The city of Puri, also called as Jagannatha Puri, Nilacala and Sri Ksetra, is considered to be equal to Vrindavana and Navadvipa, a sacred Vaisnava holy place. For thousands of years, great sages and other exalted persons have travelled to Puri on pilgrimage. Lord Chaitanya Mahaprabhu chose to reside here for the last eighteen years of His life.

The city is shaped like the shadow of a conch-shell. In the center of the conch-shell shadow, there is a portion of raised ground called Nilgiri or “the blue hill.” On the crest of Nilgiri stands an imposing temple complex dedicated to Vishnu as Jagannath, “the Maintainer of the Universe.” In Sanskrit “jagat” means the universe, and “natha” means the maintainer.

Glories of Jagannatha Puri

The Jagannatha Temple

Whatever pastime Lord Krishna performs in Goloka Mathura and Dvaraka, He manifests all these pastimes in Puri Dhama.

In Sri Brhad Bhagavatamrtam (2.1.159-163) Srila Sanatana Gosvami describes Puri-dhama:

In Purusottama-ksetra Nilacala, by the shore of the salt-water ocean, the Lord of the universe (Jagannatha) is splendidly manifested in a spiritual form of wood.

“On the northern shore of the ocean, in Purusottama-ksetra, the supremely blissful Personality of Godhead pretends to be made of wood.

The Vishnu Purana explains: In the country of Orissa, in Nilacala in Purusottama-ksetra, the spiritual and blissful Personality of Godhead appears as the wooden Deity named Lord Jagannatha.”

“In Bharata-varsa, in the country of Orissa, in Bhu-svarga, in Purusottama-ksetra, the Lord of the Universe (Jagannatha), who makes the devotees fearless, whose pastimes are like those of a human being, and who grants liberation, appears in a form of wood.”

The Goddess of Fortune personally cooks for Him. When He has eaten, the merciful Lord gives His remnants to His devotees, which even the demigods cannot obtain.”

Jagannatha Puri Mahaprasad

These remnants, called mahaprasadam, should be eaten without considering who has touched them or from where they were brought. “Oh what a glory of that place! Even an ass there becomes a four-armed resident of Vaikuntha. Anyone who goes there once is never born again.”

Veda-vyasa explains in the Garuda Purana:
“When the demigods in heaven see the people of Jagannath Puri as four-armed residents of Vaikuntha, holding a conch-shell, cakra and lotus in their hands, they faint again and again.”

Jagannath’s Main Temple

Shree Jagannath Temple Puri

Jagannatha means The “Lord of The Universe”

The main temple structure is 65 meters(214ft.) high and is build on high ground, which makes it look even larger than what it is. The temple complex is having 10.7 acres.

Jagannatha Temple has the largest kitchen in the world and feeds thousands of devotees every day. 1,00,000 peoples prasadam can be prepared in one day and the kitchen can prepare 2,50,000 people on a festival day.

There are 36 traditional communities who render a specific hereditary service to the deities. The temple has as many as 6,000 priests (Pandas).

There is a wheel on top of the Jagannatha temple that consists of an alloy of eight different metals (Asta Dhatus) known as Nila Cakra (blue wheel), it is 11ft 8in high and has a circumference of about 36ft. On Ekadasi day, a lamp is lit near the wheel. Daily a flag is tied on a mast attached to Nila Cakra.

In front of the main temple, there is pillar of height (11m) called Aruna Stambha. It was brought to Puri during the 18th century from the Sun Temple in Konark. Aruna is the charioteer of the Sun God present on top of the pillar.

Patiapavana Jagannatha

Patita Pavana Jagannatha

In the passage room of main gate, there is deity of Lord Jagannatha called Patita Pavana (savior of the most fallen). It can be visible from the road, so the “Non Hindus” can take darshana from outside.

There are four gates to the Jagannatha temple as follows:

These are the main entrances to the Jagannatha temple on the Grand Road –
The Eastern Simha-Dvara (lion Gate)

The Southern Asva Dvara (horse gate)

The Western Vyaghra dvara (tiger gate)

The Northern Hasti dvara (elephant gate)

Inside the Lion Gate, in front of the altar of Lord Jagannatha, is a column called the Garuda Stambha. Sri Caitanya Mahaprabhu usually saw Lord Jagannatha from a distance from behind this column. Behind this there is a ditch, which was filled with tears of Lord Gauranga and his handprint is melted into the Garuda Stambha.

“Non-Hindus” are strictly prohibited inside the temple But “if one is not allowed to enter the temple, or if he thinks himself unfit to enter the temple, he can look at the wheel from outside the temple, and that is as good as seeing the Deity within.”(Caitanya-caritamrita Madhya Lila 11.195, Purport).

Jagannath Temple